Category teaching and learning

Deeper dive: practice quality

You may have seen this graphic before: Today I’m going to tease these elements apart. mechanics and approach: the foundation What we do is, at its core, a physical enterprise. Yet, sometimes it can feel like this wild mental scramble…

Dear Future Me

I’d like you to envision the musician you’d like to be. Be bold, ambitious, un-self conscious with this imagining, even (or perhaps especially) if the qualities they embody seem remote. Answer these questions to really hone in: After you’ve spent…

Resolutions, big and small

Just a short post on this last evening of 2024 to pass on something that has helped me remain motivated and satisfied with my progress through pandemics, spine surgeries, moving to a small town with no gig scene or in-person…

Adding to your lexicon: tenuto

Behold! The mighty tenuto! Language of origin/root: Italian, tenere meaning to hold. I’m starting this series with tenuto because I went three decades without truly knowing what this small but transformative line atop or beneath a note really did: I…

Reconsidering practice, part 1

In trying to come up with a grand unifying theory of performance anxiety, I proposed (at a talk I gave this summer) that the likelihood of its debilitating effects exist on the axes of two main components: preparation and self-concept.…

Intro to Practice Modes

Students frequently ask/beg/lament: what should I practice? How much? In what order? For how long? Should I write it all in a journal? Count my reps? While these are decent questions, I think the better one to ask is “how…

Scaffolding your shifts

There are a few ways to approach shifts, each featuring subtly different orders of operation. The approach I’ll be talking about in this post is commonly known as old finger shifting. This name always makes me chuckle, as I imagine…