The goal of this series is to provide you with several small changes in approach, presented one at a time, that will streamline and improve your practice process, while also reminding you that MXC* was perhaps the only worthwhile programming…
I promised the participants at Lone Star SCOR some kind of run-down on topics we covered during the two workshops I gave. In the spirit of “better late than never”, I’m posting a PDF with the basics from the…
I need your advice. I have a teenage student who has not responded positively to any approach, though he is progressing as well as anyone who has a pulse and thrashes away at the instrument a few times…
Practice is good. Common sense tells us it’s necessary for progress and essential to maintain our skill. In my lessons, I rarely teach people how to play- it’s mostly about diagnosing what makes something difficult and then developing strategies and…
It’s been busy times in the stark raving life of your friendly neighborhood cellist. I suspect this will be one of the last blogs at this address: the whole shebang is going to move over to my big site. But…
I was practicing yesterday and encountered, for the first time in a long while, the temptation to stop after the first 20 minutes. I’ve set about going through the Popper études and plowing roughshod through the repertoire to prime myself…
It happens more than it should: I walk into a lesson and the student is jaw-droppingly unprepared and the excuse offered is, “I didn’t have enough to practice.” It was a frequent occurrence in my own early lessons. I would…
….in which she begins to develop a neurosis about her hair as it appears from the side. Sigh. I really should just flat iron my hair every day to avoid these calamities. God help me if Nathan or Frankie at…
Let’s do this.
Here I am, risking a little bit of my pride to show you the practice process behind what will become a very good Mendelssohn excerpt at some point. I figure that part of the strength of this blog is a…