stuff to round out your approach: studying scores and critical listening
Even if you can hear the music in your head when you look at a piece, it’s never a bad idea to listen to several recordings and study the score as part of your general practice curriculum. To experience mastery, you need to know every crevice, every detail, technique, stretch, shift and emotional/dynamic implication of […]
what do you play for?
…and by play, I mean “do your thing”. I know this blog is read by all kinds of people who have nothing to do with cello: members of the military, lindy hoppers, business owners, retired folks (whose schedules are now more crammed than they were pre-retirement). In terms of answering this, I teeter between the […]